*NICE DREAMS (1981) Cheech & Chong Sell a and 50 similar items
*NICE DREAMS (1981) Cheech & Chong Sell a Different Kind of Ice Cream Comedy!
$75.00
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OBO - Seller accepts offers on this item.
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Refunds available: See booth/item description for details
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View full item details »
Shipping options
Offer policy
OBO - Seller accepts offers on this item.
Details
Return policy
Refunds available: See booth/item description for details
Details
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
Category: | |
---|---|
Quantity Available: |
Only one in stock, order soon |
Condition: |
Used |
Country/Region of Manufacture: |
United States |
Size: |
27 x 41 inches |
Industry: |
Movies |
Object Type: |
Poster |
Original/Reproduction: |
Original |
Year: |
1980-89 |
Modified Item: |
No |
Movie: |
Nice Dreams |
Item: |
Vintage original US one-sheet poster |
Item Number: |
CS-NICEDREAMS-1S |
LOC: |
YB2 |
Listing details
Seller policies: | |
---|---|
Shipping discount: |
No combined shipping offered |
Posted for sale: |
More than a week ago |
Item number: |
1263422883 |
Item description
Vintage original 27 x 41 in. US one-sheet poster from the 1980s marijuana-themed crime comedy, NICE DREAMS, released in 1981 by Columbia Pictures and directed by Tommy Chong, in which disguised as ice cream vendors, Cheech and Chong make--and subsequently lose--millions of dollars selling a batch of marijuana with an unusual side effect.
Unrestored and folded as originally issued, it is in fine+ condition as shown.
The film, like any Cheech and Chong movie, is loosely scripted and tightly storyboarded, with the physical characteristics of each sequence carefully pre-planned, a technique which evolved from their origins in improvisational theatre. Chong says: "We rely on the storyboards to keep the plot flowing". Whilst Cheech said: "And to tell the cast and crew where to report in the morning". Chong points out: "Improv has its own disciplines. When it works, it's as if you had tapped in to some crazy force. There's a spontaneity that's funnier than anything an all-night story conference could produce". And when it doesn't work? Chong says: "You look at the rushes, say -------------, we blew that one, and re-shoot. We probably use . . . and waste . . . more raw film than anyone in the business. But on the basis that comedy is the art of the unexpected, it's worth it".
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