Catalog Number: 19075869911 Condition Details: Limited Edition. Unopened/new vinyl, factory sealed, and in excellent condition. Clear jacket has a slight bend near bottom-right. (Not a cut-out.) Tracks: X-Men Arrive Fighting Dirty Hello Super Powers Escape Vanessa Weasel Interrogation Holy Shit Balls Mutant Convoy The Name Is Cable Sorry For Your Loss You Can't Stop This Mother Fucker Ice Box Docking Make The Whole World Our Bitch Pity Dick Knock Knock Let Me In Maximum Effort The Orphanage Cable Flashback Genuine High Grade Lead Courage Mother Fucker About The Record: Deadpool 2 (Picture Disc), consists of an original score composed by Tyler Bates and a series of songs featured in the film. Bates had worked on all of director David Leitch's previous films before being hired to compose the score for Deadpool 2. In addition to the initial theatrical release of the film, beginning on May 18 in the United States, an extended cut of the film was released on home media on August 21 that featured additional music. Bates joined the film after Junkie XL chose not to return from the first Deadpool, and approached the score with a slight rock sensibility. He attempted to write music that stayed out of the way of the film's comedy and complemented its dialogue, which was a challenge due to the constant changes being made to the film throughout the post-production process. In addition to an orchestra and electronic instrumentation such as an electric guitar, Bates' score includes a choir that sings explicit phrases which match the film's irreverent tone. This earned the score a parental advisory warning, making it the first score album to receive such a warning. Bates' score was released as Deadpool 2 (Original Motion Picture Score) by Sony Classical Records on May 11. A soundtrack album collecting the previously released singles and other songs heard in the film was released by Columbia Records as Deadpool 2 (Original Motion Picture Soundtrack) on May 18. Bates' score received positive reviews, especially when compared to the reception of the first film's score, while the soundtrack songs were generally praised.