The book is still in good condition except for the back spine has wear of tearing. Will ship the next day Additional Details ------------------------------ Product description: Excerpt from The Stoddard Library, Vol. 6: A Thousand Hours of Entertainment With the World's Great Writers Johann Wolfgang Von Goethe Johann Wolfgang von Goethe. Born at Frankfort on the Main, August 28, 1749; died at Weimar, March 22, 1832. Author of "Sorrows of Young Werther," "Clavigo," "Stella," "Tasso," "Iphigenia," "Wilhehn Meister," "Faust." The name of Goethe is not only first in his native land, but one of the foremost in the entire history of literature. (From "Faust") Night. A high vaulted narrow Gothic Chamber Faust, restless, seated at his desk Faust. I've now, alas! Philosophy, Med'cine and Jurisprudence too. And to my cost Theology, With ardent labor studied through. And here I stand, with all my lore, Poor fool, no wiser than before. Master, aye doctor styl'd, indeed. Already these ten years I lead, Up, down, across, and to and fro, My pupils by the nose, and learn, That we in truth can nothing know! This in my heart like fire doth bum. True, I've more wit than all your solemn fools; Priests, doctors, scribes, magisters of the schools; Nor doubts, nor scruples torture now my breast; No dread of hell or devil mars my rest; Hence is my heart of every joy bereft; No faith in knowledge to my soul is left; No longer doth the hope delude my mind, By truth to better and convert mankind. Then I have neither goods, nor treasure, No worldly honor, rank, or pleasure; About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.