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The Living Daylights Original 1987 Vintage One Sheet Poster

$329.00

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Estimated to arrive by Mon, Jun 16th. Details
No shipping

Offer policy

OBO - Seller accepts offers on this item. Details

Return policy

Full refund available within 30 days

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Payment options

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Shipping options

Estimated to arrive by Mon, Jun 16th. Details
No shipping

Offer policy

OBO - Seller accepts offers on this item. Details

Return policy

Full refund available within 30 days

Purchase protection

Payment options

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Item traits

Category:

Autographs-Original

Quantity Available:

5 in stock

Condition:

Unspecified by seller, may be new.

Listing details

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View seller policies

Shipping discount:

Shipping weights of all items added together for savings.

Posted for sale:

More than a week ago

Item number:

1317887559

Item description

The Living Daylights Original 1987 Vintage One Sheet Poster. Folded. 27X41 Inches This is an original One Sheet Poster. It was distributed by the film studio for marketing purposes and was not available to the public. The Living Daylights is a 1987 spy film, the fifteenth entry in the James Bond series produced by Eon Productions, and the first of two to star Timothy Dalton as the fictional MI6 agent James Bond. Directed by John Glen, the film's title is taken from Ian Fleming's short story "The Living Daylights", the plot of which also forms the basis of the first act of the film. It was the last film to use the title of an Ian Fleming story until the 2006 instalment Casino Royale. The film was produced by Albert R. Broccoli, his stepson Michael G. Wilson, and co-produced by his daughter, Barbara Broccoli. The Living Daylights grossed $191.2 million worldwide, and received generally positive reviews from critics, who praised the more serious tone, but criticized its lack of humor.