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THE CTHULHUS
EVAPR8
VNER: Van Nuys Ethnographic Recordings, 2010:
Stereo
40/100
Handprinted green label
Homemade sleeve with paste-ups lacquer glued to a plain white sleeve
"This collection of sci-fi sound poems, strung together with bedroom
rock, bent electronics and musique concrète, sounds less like Wavves and
more like Trout Mask Replica or early Zappa, with perhaps an
assist from Bruce Haack on drum machines, which could easily be lifted
from a Baldwin ’70s home organ. There are a lot more fast guitars on
here than on, say, Jesse Rakusin’s Awaken! projects, but the end result
is still psychedelic, brooding and ominous, a Cramps-meets-Robotech
bike ride down a slippery slope. “Blood runs red round the honey pot,”
Cthulhu sings in “The honey pot, the honey pot,” a cascade of
oscillations sliced open by a sitar-tinged backwards-masked guitar, then
an alarm, and then commands straight out of 1984: “Don’t speak, don’t
even breathe/Don’t say a single word about anything that you believe.”
The song titles alone, from “1000 Missiles” to “Nothing Works” to
“WASP17” (named after a rare planet that spins against the revolution of
its star), point to things going very, very wrong. And then there are
the lyrics about broken eyes and nuclear-tested goats with peeling skin.
“Mixed messages, dissipations, radiate the loss of a forward momentum”
he whispers in “the TRANSAMERICAN.” Travis could be describing his own
album, but really, he’s describing our future. No wonder the last song
on the album is “No hope.”—Dan Collins.
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