SEE BELOW for MORE MAGAZINES' Exclusive, detailed, guaranteed content description!* With all the great features of the day, this makes a great birthday gift, or anniversary present! Careful packaging, Fast shipping, and EVERYTHING is 100% GUARANTEED. TITLE: THEATRE CRAFTS [ Rare theatre magazine! See FULL contents below!] ISSUE DATE: April 1982; Volume 16, Number 4 CONDITION: Standard sized magazine, Approx 8oe" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo) IN THIS ISSUE: [Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 ON THE COVER: to his Brooklyn Heights attic studio. Oliver Smith designs sets for the Broadway stage, ballet, and opera, continuing a career that already spans 40 years. Photo: Nathaniel Tileston. LIGHTING THEATRE FOR TELEVISION: PIAF BECOMES A VIDEOTAPE by Mary Lucier Beverly Emmons, who designed the lighting for Pial on Broadway. and Alan Adelman, who specializes in television lighting, discuss the results of their collaboration when CBS Video Enterprises put Pial on tape. SUMMER JOBS IN OUTDOOR DRAMA by Mark Sumner Sumner, director of the Institute of Outdoor Drama, reviews the employment opportunities offered by outdoor drama companies throughout the country. DESIGNERS ON DESIGNING: A PROFILE OF OLIVER SMITH by Patricia MacKay Designer Oliver Smith's credits read like a history of modern theatre from the 1940s on. This interview provides retrospective and introspective looks by Smith at his career and its many milestones The first of a series on designers and designing. A CELLULOID DEATHTRAP; TONY WALTON DESIGNS THE FILM Production designer Tony Walton's seventh film with director Sidney Lumet was shot both on location in East Hampton. New York, and in Manhattan's Pathe Studios. Walton comments on the mesh of exteriors and interiors. BRIDESHEAD REFROCKED: A MATTER OF STYLE by Ronn Smith the 11-part serialization of Evelyn Waugh's novel required costume designer Jane Robinson to dress a multitude of characters, from the rich and eccentric, to the penurious and plain, to the just plain rich. Robinson talks about costuming a story that spans 22 years (1922 to 1944) and several pronounced changes in fashion. STAGE MANAGEMENT OVERVIEW by Barbara Dilker Stage manager Dilker outlines the stage manager's role. SPECIAL EFFECTS CASEBOOKS MIRROR OF TRUTH by Michael Klepper. USING LEDS by Steven Mark Johnson. LED MARKS AT ASHLAND by R. Duncan MacKenzie. DEPARTMENTS. CALENDAR. NEWS NOTES REVIEWS. ADVERTISERS INDEX. PRODUCT NEWS. ______ Use 'Control F' to search this page. * NOTE: OUR content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date. This description copyright MOREMAGAZINES. 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Careful packaging, Fast shipping, and EVERYTHING is 100% GUARANTEED.