Old Time Music at Clarence Ashley's
Doc Watson, Clint Howard, Fred Price and more
Vinyl LP - Folkways FA 2355
First Edition (1960)
Condition: Very Good Vinyl and VG++ (EX) Cover. Vinyl was play-tested on both sides and plays really well overall with good fidelity. There are a couple of brief pops on side 1 track 4, no skips, most of it plays very clean. Original cover is strong with good image, no splits or writing, and includes an 8-page pamphlet with extended liner notes in excellent shape.
Clarence "Tom" Ashley was an American musician and singer, who played the clawhammer banjo and the guitar. He began performing at medicine shows in the Southern Appalachian region as early as 1911, and gained initial fame during the late 1920s as both a solo recording artist and as a member of various string bands.
During the folk music revival of the late 1950s and early 1960s, urban ethnomusicologists rediscovered Ashley's music. In 1960, Ralph Rinzler met Ashley at the Old Time Fiddler's Convention in Union Grove, North Carolina. He eventually persuaded him to start playing banjo again and to record his repertoire of songs. Over the next few years Ashley and his friends Doc Watson, Clint Howard, and Fred Price played at numerous urban folk festivals, including the Chicago Folk Festival in 1962 and the Newport Folk Festival in 1963.
This album was recorded in Souns, Tennessee, Saltville, Virginia, and Deep Gap, North Carolina in September 1960, by Eugene Earle and Ralph Rinzler.
Track listing
A1 Clint Howard, Doc Watson, Fred Price, Jack Johnson (12), Tommy Moore (4)? Sally Ann
A2 Doc Watson, Gaither Carlton? Old Ruben
A3 Fred Price, Clint Howard? East Tennessee Blues
A4 Tom Ashley*, Doc Watson? Claude Allen
A5 Clint Howard, Fred Price? Richmond Blues
A6 Doc Watson, Ralph Rinzler? Skillet Good And Greasy
A7 Clint Howard, Fred Price, Doc Watson? The Old Man At The Mill
A8 Eva Ashley Moore? The Haunted Woods
A9 Clint Howard, Fred Price, Doc Watson, Jack Johnson (12)? Footprints In The Snow
B1 Doc Watson, Gaither Carlton, Ralph Rinzler? I'm Going Back To Jericho
B2 Clint Howard, Fred Price, Doc Watson? Maggie Walker Blues
B3 Tom Ashley*, Doc Watson? God's Gonna Ease My Troublin' Mind
B4 Doc Watson, Gaither Carlton? Handsome Molly
B5 Tom Ashley*? The Louisiana Earthquake
B6 Clarence Ashley, Doc Watson, Clint Howard, Fred Price, Jack Johnson (12)? Honey Babe Blues
B7 Tommy Moore (4), Doc Watson, Clint Howard, fred Price? True Lovers
B8 Clint Howard, Doc Watson, Fred Price, Jack Johnson (12), Tommy Moore (4)? Pretty Little Pink
Credits
Banjo ? Doc Watson, Gaither Carlton, Jack Johnson
Design ? John Cohen
Fiddle ? Fred Price, Gaither Carlton
Guitar ? Clint Howard, Doc Watson, Ralph Rinzler
Lead Guitar ? Doc Watson
Recorded By ? Eugene Earle*, Ralph Rinzler
Vocals ? Tom Ashley, Clint Howard, Doc Watson, Eva Ashley Moore, Stella Gilber
Vocals [2nd Voice] ? Doc Watson
Washboard ? Tommy Moore
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I use the Goldmine Grading System, and play-test all records. I note any differences between vinyl and cover, and make note of any inserts, special sleeves, or potential defects.
MINT (M) - Absolutely perfect in every way. Most often this is a still sealed record, records that have been opened are rarely if ever marked as Mint.
NEAR MINT (NM) - A good description is that it looks like it just came from a retail store and it was opened for the first time. In other words, it?s nearly perfect, with no visible defects.
VERY GOOD PLUS (VG+) - Except for a couple minor things, this could be Near Mint. Most collectors will be happy with a VG+ record, especially if on the high end (VG++). VG+ records may show slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Covers should have only minor wear.
VERY GOOD (VG) - VG records are among the biggest bargains, and for many, will be worth the money. They can lack the original gloss, may have surface noise, and some scratches may be audible, especially in soft passages. But the noise will not overpower the music. VG covers will have signs of handling, and may have minor splits.
GOOD PLUS (G+) - Good+ does not mean bad! The record still plays through without skipping, but it has significant surface noise and groove wear. Cover may have significant ring wear, noticeable writing, or obvious damage.
GOOD (G) - Record may have some skipping, but is otherwise listenable. I generally avoid selling Good (G) rated records unless they are highly collectible or desirable, in order to enjoy until something better comes along. Cover has major wear or seam splits that need repair, or heavy writing like radio station call letters to prevent theft.
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