This signed and numbered limited edition print is in near mint condition. It has been stored in our gallery and never framed. It is numbered and signed by the artist. Buy with confidence - every order is shipped with delivery confirmation tracking number. Fast shipping from our non-smoking home. 2019AMADE-L Additional Details ------------------------------ Product description: Morning Veil is a signed and numbered limited edition print by George Boutwell. It features a misty, foggy morning on a farm in Texas. It has the old windmill in the foreground. The house, barn and old truck are in the background. What the artist says about this print - "When I travel to Houston I usually leave Austin before dawn and reach Columbus at first light. Frequently, low fog along the Colorado River will blanket the terrain for miles, creating a beautiful, quiet landscape that glows with peace and new hope." Image size is 9" x 24". Overall size is 10" x 25". It was published by Boutwell in 1984 in an edition of 500. About the Artist: Born in East Hartford, Connecticut, in 1943. After his Mothers untimely death in 1945, he and his father traveled around the country and by the time he started the First Grade in San Antonio, Texas, they had lived in Connecticut, Vermont, Maine, New York, Indiana, Michigan, Tennessee, California and Texas. George spent most of his life in Austin and moved to Bosque County in 1987. George was Art Director for Texas Highways Magazine from 1966 to 1972 and became aware of the diversity of Texas during that time and this awareness has become the focus of his life's work. George has refused to specialize in one Genre of Art and only limits the scope of his work to Texas. He has been able to make his living exclusively from his Art for 40 Years! Self-taught. George was too poor to afford Art Lessons and due to his failing half a year of High School because he was sitting in class drawing cars instead of studying his grades were not sufficient to enter College. He read every Art book he could find in the Public Library and practiced continually, doing 100 sketches per day for one year! When he was finally able to afford Art Lessons it was because he had become a full time Professional Commercial Artist and had some disposable income for the first time in his life.