he Mackie 1202VLZ4 12-Channel Compact Mixer features high-quality Onyx preamps in a compact mixer design with the high-headroom / low-noise performance. The mixer is built-like-a-tank with a rugged solid-steel chassis and high-contrast controls for discernible tactile control. With features like a dedicated control room section, it offers a step up in flexibility and performance that is suitable for your professional applications. Features: 12-Channel mixer with signature high-headroom, low-noise design 4 Boutique-Quality Onyx Microphone Preamps: Wide 60 dB gain range 128.5 dB dynamic range +22 dBu line input handling Extended frequency response Distortion under 0.0007% (20 Hz to 50 kHz) Improved RF rejection, suitable for broadcast applications Phantom power for condenser microphones 12 High-headroom line inputs 3-Band EQ (80 Hz, 2.5 kHz, 12 kHz) 18 dB/octave, 75 Hz low-cut filter on microphone input channels AUX send, level, pan, and PFL solo on each channel Stereo return for connecting FX processor or other stereo source ALT 3/4 stereo bus for added routing flexibility Control room / phones source matrix High-resolution 12-segment stereo meters Sealed rotary controls resist dust and grime Built-like-a-tank rugged steel chassis with powder-coat finish High-visibility, high-contrast controls deliver convenient at-a-glance visual feedback Rack-mountable design using a rack ear kit (sold separately) Multi-voltage power supply for worldwide use Applications: Live sound mixing, houses of worship, clubs, gymnasiums, banquet halls, conference rooms, boardrooms, studio and field recording, multimedia applicatiions and more. Specs: Noise Main Mix Noise: Main Mix Knob Down, Channel Gain Knobs Down: -100 dBu Main Mix Knob @ Unity, Channel Gain Knobs Down: -86.5 dBu (90 dB signal to noise ratio, ref +4 dBu) Main Mix Knob @ Unity, Channel Gain Knobs @ Unity: -84.5 dBu (20 Hz to 20 kHz bandwidth, 1/4" main out, channels 1 to 4, gain @ unity, channel EQs flat, all channels assigned to main mix, channels 1 and 3 panned left, 2 and 4 panned right) Total Harmonic Distortion (THD) Microphone Pre @ Insert: 0.0007% (1 kHz @ 30 dB gain, 20 Hz to 20 kHz bandwidth) Crosstalk / Attenuation Main Mix Knob Down: -75 dBu Channel Alt / Mute Switch Engaged: -85 dBu Channel Gain Knob Down: -87 dBu (1 kHz relative to 0 dBu, 20 Hz to 20 kHz bandwidth, line in, 1/4" main out, gain at unity) Frequency Response Microphone Input to Main Output (Gain @ Unity): +0, -1 dB, 20 Hz to 50 kHz +0, -3 dB, 10 Hz to 100 kHz Equivalent Input Noise 150 ? Termination: -128.5 dBu, 20 Hz to 20 kHz Microphone input to insert send out, maximum gain Common Mode Rejection Ratio Better than -70 dB @ 1 kHz Maximum Level Microphone In: +22 dBu Tape In: +16 dBu All Other Inputs: +22 dBu Main Mix XLR Out: +28 dBu All Other Outputs: +22 dBu Impedance Microphone In: 2.5 k? Channel Insert Return: 2.5 k? All Other Inputs: 10 k? or greater Tape Out: 1.1 k? All Other Outputs: 120 ? Equalizer High Shelving: 15 dB @ 12 kHz Mid Peaking: 15 dB @ 2.5 kHz Low Shelving: 15 dB @ 80 Hz Power Consumption 25 W, 100 to 120 VAC, 50 to 60 Hz Operating Temperature 32 to 104F (0 to 40C) Fuse Rating 100 to 120 V: 500 mA slo blo, 5 x 20 mm 220 to 240 V: 250 mA slo blo, 5 x 20 mm Dimensions (H x W x D) 10.7 x 11.9 x 3.0" (273.0 x 303.0 x 75.0 mm) Weight 6.5 lb (3.0 kg) WARNING: Cancer Reproductive Harm - www.P65Warnings.ca.gov