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RETURNS ARE EXPECTED WITHIN 14 DAY
BUYER PAYS FOR RETURN SHIPPING AND MAY BE CHARGED FOR IINITIAL SHIPMENT OF GOODS , AT SELLER DISCRESSION
VARYING WITH REASON FOR RETURN
REGULATORS ARE WARRANTED FOR 90 DAY 100% REPLACEMENT
AFTER 90 DAY THE PRICE IS PRORATED
BASED ON CURRENT SALES PRICES
BUYER IS RESPONSIBLE FOR RETURN SHIPPING
WE DO NOT WARRANT ANY LABOR EXPENSE INCURRED BY BUYERS
This reflects the seller's handling time and may not include time spent in transit.
If you have questions about shipping, please contact the seller.
FREE in United States
Return policy
Replacement product available within 30 days
Details
RETURNS ARE EXPECTED WITHIN 14 DAY
BUYER PAYS FOR RETURN SHIPPING AND MAY BE CHARGED FOR IINITIAL SHIPMENT OF GOODS , AT SELLER DISCRESSION
VARYING WITH REASON FOR RETURN
REGULATORS ARE WARRANTED FOR 90 DAY 100% REPLACEMENT
AFTER 90 DAY THE PRICE IS PRORATED
BASED ON CURRENT SALES PRICES
BUYER IS RESPONSIBLE FOR RETURN SHIPPING
WE DO NOT WARRANT ANY LABOR EXPENSE INCURRED BY BUYERS
1963 AUGUST
FORTUNE MAGAZINE
BUSINESS ROUNDUP
BUSINESSMEN IN THE NEWS
SOUNDERS OF THE PENNSYLVANIA RAIL ROAD AND OTHERS
BUSINESS AROUND THE GLOBE
THE INDONESIAN OIL AGREEMENT
EDITORIAL TWO CONCEPTS OF LAW
LETTERS TO FORTUNE
ARTICLES IN THIS ISSUE
THE ONRUSHING AUTO MAKERS
A HALF-BILLION DOLLAR LACE TO TIE THE ITALIAN BOOT
THE UNFINISHED JOB AT W.R. GRACE
THE ROOT OF THE FTC 'S CONFUSION
THE STRANGE CASE OF SUN OIL
ITS NO LONGER JUST GRIND , GRIND AT NORTON
MINUTEMAN'S HOME ON THE MONTANA RANGE
TAPPING NATURES STOREHOUSE OF VIOLENT ENERGY
AN INDUSTRIAL DESIGNER WITH A CONSPICUOUS CONSCIENCE
PRODUCTS AND PROCESSES
LABOR
WINNERS AND LOSERS IN SUGAR
FULL PAGE ADS INCLUDE
1964 BUICK RIVERIA
1964 DATSUN SPORTS 1500
BOEING CARGO JET
OWENS ILLINOIS
NORFOLK AND WESTERN RAILWAY
TEXAS INSTRUMENTS ( HYDROGEN FUEL CELLS )
FRUEHAUF TRAILERS
GRUMMAN AIRCRAFT
OKLAHOMA GAS AND ELECTRIC
HARRIS BANK
UNION PACIFIC RAILROAD
ALLIS CHALMERS
IBM
RCA ( inside back cover )
THIS ISSUE DOES RATE GOOD CONDITION
RATING THIS ISSUE IS KIND OF MIXED
THERE IS A SPINE SHIFT
I have seen NO separating of pages FROM BINDING
THE PAGES ARE IN GOOD CONDITION
THERE ARE A COUPLE TABBED PAGES - SINCE STRAIGHTENED
THERE ARE NO WRITINGS IN THIS ISSUE
We try to give One of the Most Honest ratings
As We are collectors as well as sellers
and have bought those good to mint issues that are falling apart when they arrive
PACKAGED IN A CRYSTAL CLEAR ACID FREE ARCHIVAL QUALITY
RESEALABLE CELLOPHANE ENVELOPE 1.6 MIL
Background Information - Fortune Magazine in the 1930s
The first issue of Fortune magazine hit the stands in February of
1930, four months after the dramatic crash of 1929.
That kind of timing may
seem the result of an ironic, if not an unfortunate, business decision, but
the release date of
America's first real business journal was actually quite
a savvy maneuver. It reflected the good intuition the magazine's
founder, Henry R. Luce, would continue to demonstrate in the coming
decade.
At a time when other dealmakers were cowering, Luce built Fortune
magazine into one cornerstone of a media empire
The crash only piqued Wall Street's desire for a smart and stylish
journal of entrpreneurial culture.
Briton Hadden, Luce's partner and the
man who had founded Time with him in 1923, thought that a magazine
devoted
to business would be boring and unmarketable. But
Henry persisted, and Fortune's 184 bright, lavish pages debuted
with 30,000 subscribers. Luce believed that most businessmen were
stodgy, uncultured, and lacking a social conscience.
The spate of
trade periodicals available at the time attested to this. They
were no more than facts and statistics printed
in black and white,
and the Wall Street Journal was hardly the comprehensive paper it
is today.
So Luce didn't hire MBAs or experienced economists to write his
copy; he recruited young literary talent instead.
Archibald
MacLeish, John Kenneth Galbraith, and Alfred Kazin filled the pages
of Fortune with flowing human interest
articles that were
brash, irreverent, and critical. Fortune's advertisements
were colorful and lush, and the photography of
Margaret Bourke-White
provided stunning looks inside the factories and farms that fed the
American economic machine.
Fortune style was an upscale and
intelligent upgrade of the older and more middle-class Time.
The result was a product that matched Luce's vision of business
itself, an activity he called
"the distinctive expression of the
American genius"
Henry wanted to bring entrepreneurs out of their back offices, give
them an identity, and make them accountable to the public.
In those
first months after the crash, most people expected economic recovery.
But when no recovery came and the decade
wore on, Luce turned the
attention of Fortune to a tempered brand of muckraking. It exposed
the munitions industry without
losing advertisers. It published
pieces which alternately criticized both Hoover and Roosevelt.
And
though the tone of its columns had a socialist twinge, Fortune
presented a disturbing picture of communist Russia in
March of 1932 while
praising Italian fascism in July of 1934. Fortune seemed to have a
magical ability to be seen as both a
challenge to business and a
boon, to keep its integrity while throwing its hat into the
political ring. This balance yielded
consistent and respectable
profits, and in 1937 the magazine netted close to half a million
dollars with a circulation of 460,000.
By decade's end Fortune
had become required reading on Wall Street.
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