1807 French Master Jean-Auguste-Dominique Ingres (1780-1867) red pastel.Study.
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Shipping options
FREE to United States
Ships from
France
Offer policy
OBO - Seller accepts offers on this item.
Details
You can make your offer during the checkout process as long as you do not live in a state where marketplace facilitator tax laws exist.
Check your state.
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
Category: |
Art Drawings
|
Quantity Available: |
Only one in stock, order soon
|
Condition: |
Used
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Subject: |
Portrait
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Date of Creation: |
1800-1899
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Region of Origin: |
Europe
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Original/Reproduction: |
Original
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Size Type/ Largest Dimension: |
Small (Up to 14'')
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Signed?: |
Signed
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Listed By: |
Dealer or Reseller
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Medium: |
Pastel
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Size Type/Largest Dimension: |
Small (Up to 14in.)
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Quantity Type: |
Single-Piece Work
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Originality: |
Original
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Size: |
Medium (up to 36in.)
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Height: |
14
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Width: |
11.5
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Color: |
Red
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Features: |
Framed
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Style: |
Academic
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Artist: |
Ingres
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Listing details
Seller policies:
|
View seller policies
|
Shipping discount:
|
No combined shipping offered
|
Posted for sale:
|
More than a week ago
|
Item number:
|
1660697000
|
1807 French Master Jean-Auguste-Dominique Ingres (1780-1867) pastel Study on paper for the painting Portrait of Granet.
Sanguine drawing.
Signed dated and titled lower left corner.
Good condition. Guaranteed to be an original antique artwork.
Sold with a frame that shows the signs of the old age. The frame is provided for free as is.
Artist: Jean-Auguste-Dominique Ingres (1780-1867)
France.
Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting The Ambassadors of Agamemnon in the tent of Achilles. By the time he departed in 1806 for his residency in Rome, his styleโrevealing his close study of Italian and Flemish Renaissance mastersโwas fully developed, and would change little for the rest of his life. While working in Rome and subsequently Florence from 1806 to 1824, he regularly sent paintings to the Paris Salon, where they were faulted by critics who found his style bizarre and archaic. He received few commissions during this period for the history paintings he aspired to paint, but was able to support himself and his wife as a portrait painter and draughtsman.
He was finally recognized at the Salon in 1824, when his Raphaelesque painting, The Vow of Louis XIII, was met with acclaim, and Ingres was acknowledged as the leader of the Neoclassical school in France. Although the income from commissions for history paintings allowed him to paint fewer portraits, his Portrait of Monsieur Bertin marked his next popular success in 1833. The following year, his indignation at the harsh criticism of his ambitious composition The Martyrdom of Saint Symphorian caused him to return to Italy, where he assumed directorship of the French Academy in Rome in 1835. He returned to Paris for good in 1841. In his later years he painted new versions of many of his earlier compositions, a series of designs for stained glass windows, several important portraits of women, and The Turkish Bath, the last of his several Orientalist paintings of the female nude, which he finished at the age of 83.
Year: Dated 1807
Titled: portrait de Granet
Country: France
Measurements: Unframed 12" x 9 1/2" (approximately) Framed 14" x 11 1/2" (approximately).
Price $450