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*Motion Picture Director A. EDWARD "EDDIE" SUTHERLAND (c.1930s) On-Set Candid

$20.00

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Estimated to arrive by Wed, Jul 30th. Details
Calculated by in US.

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OBO - Seller accepts offers on this item. Details

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Refunds available: See booth/item description for details Details

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PayPal accepted
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PayPal, MasterCard, Visa, Discover, and American Express accepted
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Nuvei accepted

Shipping options

Estimated to arrive by Wed, Jul 30th. Details
Calculated by in US.

Offer policy

OBO - Seller accepts offers on this item. Details

Return policy

Refunds available: See booth/item description for details Details

Purchase protection

Payment options

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Item traits

Category:

Black & White

Quantity Available:

Only one in stock, order soon

Condition:

Unspecified by seller, may be new.

Country/Region of Manufacture:

United States

Size:

8 x 10 inches

Style:

Black & White

Industry:

Movies

Year:

Pre-1940

Object Type:

Photograph

Original/Reproduction:

Reproduction

Item:

Vintage single-weight glossy copy photograph

Personality:

Motion picture director A. Edward Sutherland

Modified Item:

No

Listing details

Seller policies:

View seller policies

Shipping discount:

No combined shipping offered

Posted for sale:

More than a week ago

Item number:

1230974201

Item description

Vintage 8 x 10 in. US single-weight glossy copy photograph (not a vintage original photo printed at the time it was taken) depicting motion picture director A. EDWARD SUTHERLAND (AKA Eddie Sutherland). He is depicted in a candid shot taken on a set during the production of film as he sits in his director's chair while the script girl takes notes. It is in very fine condition. British-born A. Edward ("Eddie") Sutherland started in vaudeville and acted in films from 1914 at the Mack Sennett Studios (he was one of the original Keystone Kops). He became a director in 1925, first with Paramount (1925-31), then at United Artists (1931-32), again with Paramount (1933, 1935-37), then Universal (1940-41), and RKO (1942). He hit his stride in the 1930s and 1940s with a string of well-received comedies starring Laurel Hardy and W.C. Fields, but his Abie's Irish Rose (1946), an adaptation of the often-filmed stage play, which he also produced, was such a critical and financial disaster that he could not find work as a director in Hollywood again. In the 1950s, he went to Britain and ended his career directing episodic television.