A Mermaid Poster 12x18 inches John William and 50 similar items
A Mermaid Poster 12x18 inches John William Waterhouse 1900 Mermaids
$24.99
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Estimated to arrive by Wed, Jun 4th.
Details
$4.99 via Standard shipping (1 to 5 business days) to United States
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Refunds available: See booth/item description for details
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PayPal accepted
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Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
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Amazon Pay accepted
Nuvei accepted
View full item details »
Shipping options
Estimated to arrive by Wed, Jun 4th.
Details
$4.99 via Standard shipping (1 to 5 business days) to United States
Return policy
Refunds available: See booth/item description for details
Details
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
Category: | |
---|---|
Quantity Available: |
Only one in stock, order soon |
Condition: |
New |
Subject: |
Seascape/ Nautical |
Height: |
18 inches |
Width: |
12 inches |
Artist: |
John William Waterhouse |
Date of Creation: |
1900-1949 |
Year: |
1900 |
Original/ Reproduction: |
Reproduction |
Original/Reproduction: |
Reproduction |
Size: |
24x32 |
Style: |
Pre-Raphaelite |
UPC: |
808939143979 |
MPN: |
808939143979 |
Color: |
Multi-Color |
Listing details
Seller policies: | |
---|---|
Posted for sale: |
More than a week ago |
Item number: |
144529993 |
Item description
" A Mermaid " Art Print Poster
by John William Waterhouse
It measures 12 x 16 inches.
John William Waterhouse (1849-1917) was one of the greatest artists of his age and maintained close connections with the Royal Academy of Arts throughout his working life. He entered the Royal Academy Schools in 1870 and within just four years had his first painting hung at the prestigious annual Summer Exhibition.
During the early stages of his career, Waterhouse followed in the artistic footsteps of Sir Lawrence Alma-Tadema (1836-1912) by paying close attention to archaeological detail and portraying everyday scenes from the Classical past.
In 1885, Waterhouse was elected an Associate of the Royal Academy following the success of St Eulalia at the Summer Exhibition of that year. This image of a martyred girl was the first of many paintings by Waterhouse that took the tragic fate of a woman as its subject matter.
Waterhouse'sConsulting the Oracle, painted a year earlier, is also important as it marks the beginning of his fascination with magic and the occult. Indeed, it was supernatural and potentially dangerous women that Waterhouse increasingly chose to paint. As his concern for conveying narrative declined, the beauty of his female subjects became the predominant focus of his works.
During his lifetime, Waterhouse was praised for the high level of craftsmanship that he exhibited in his works. His detailed rendering of different surfaces and textures no doubt stemmed from his encounters with the Pre-Raphaelite paintings of the previous generation.
His contemporaries also associated his style with French art of the time. The Lady of Shalott (1888) is regarded as Waterhouse's most thorough engagement with the French naturalistic style. Waterhouse was himself an inspirational figure for younger artists and regularly taught at the Royal Academy Schools. In 1895, at the age of 46, he was promoted to the status of Royal Academician. He later submitted A Mermaid to the Royal Academy as his diploma work.
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