Rare The Complete Photographer 1942 Issue 30 and similar items
RARE The COMPLETE PHOTOGRAPHER 1942 Issue 30 Volume 5 Photography
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View full item details »
Shipping options
Seller handling time is 1 business day Details
$4.00 to United States
Offer policy
OBO - Seller accepts offers on this item.
Details
Return policy
Refunds available: See booth/item description for details
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
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Item description
SEE BELOW for MORE MAGAZINES' Exclusive, detailed, guaranteed content description!*
Careful packaging, Fast shipping, and EVERYTHING is 100% GUARANTEED.
TITLE: THE COMPLETE PHOTOGRAPHER
Marvelous and RARE vintage Photography magazine -- Exclusive MORE MAGAZINES detailed content description, below! *
ISSUE DATE:
1942 Issue 30 Volume 5
CONDITION: Size approx 7" X 9". COMPLETE and in clean, VERY GOOD condition. (See photo)
IN THIS ISSUE:
[Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
COVER PHOTOGRAPH by Dmitri Kessel. THE VIEW FINDER by Willard D. Morgan.
GAMMA: Part II (Continued from Issue 29): John N. Harman, Jr.: Agfa Ansco; 1st Lt , Signal Corps, U. S. Army Degree of Contrast Desired--Effect of Gamma on Film Characteristics--Gamma--Wave Length Relationship--Conclusion.
GARDEN PHOTOGRAPHY: Frederick W. Raetz: Professional Garden Photographer New York, N. Y. Equipment--Point of View--Light--Garden Subjects--Trees--Special Problems--Color-- Composition rob/ems--Calor-- Camposition.
GEOMETRICAL APPROACH TO COMPOSITION: Ansel Adams: Photographer; Author cf Making a Photograph Creative Composition--Lines of Force--Sample Analyses.
PHOTOGRAVURE SECTION: Including composition analysis by Elizabeth McCausland.
GLASS AND SILVERWARE PHOTOGRAPHY: Eugene Hutchinson: Professional Photographer, New York, N. Y. Lighting--Angle and Settinj--Equipment and Exposure--Photographing Colored Glass. ware--Retouching--Silverware Photography--Conclusion.
GRAININESS: Monroe H. Sweet: Physics Department, Agfa Ansco Graininess Defined--Graininess vs. Density--Graininess in Various Subjects--Graininess vs. Film Speed--Graininess vs. Gamma--Graininess and Resolving Power--Graininess as a Function of Developer--Graininess and Tone Pen dtion--Graininess in Motion Pictures--Methods for Minimizing Graininess--Measurement of Graininess--References.
GREETING CARDS, PHOTOGRAPHIC: How to Make Your Own Christmas and Other Cards.
GROUP PICTURES: Dale Rooks: Feature Photographer, The Newspaper PM Groups to Show Faces--Principles--Groups Telling of Action--Unity in Group Pictures--Dressing Up the Group Photo--Summary.
GUM BICHROMATE PRINTING: Description of How to Sensitize and Expose Gum Bichromate Paper.
HALATION: Peter Krause: Technical Product Informaton Department, Agfa Ansco Effects on the Image--Reflex Halation--Protection Against Reflex Halation--Require-ments of Absorption Medium--Diffuse Halation.
PHOTOGRAVURE SECTION: Including composition analysis by Elizabeth McCausland.
HANDS--HOW TO PHOTOGRAPH THEM: Norris Harkness: Photography Editor, New York Sun and Nature Maaine Hands at Work--Lighting Technic--Specific Example--Properties--Moving Hands.
HARDENING NEGATIVES AND PRINTS: Advice on Use of Forebaths, Hardening Fixers, etc.
HERSCHEL, SIR JOHN F. W. : Beaumont Newhall: Curator of Photography and Librarian, Museum of Modern Art, New York; Author of Photography: A Short Critical History Early Photographic Experiments--Published Findings.
HIGH SPEED PHOTOGRAPHY: Part I (Continued in Issue 31):
Clifton Tuttle and Fordyce Brown: Physicists, Eastman Kodak
Research Laboratories
Spark Exposures--Gaseous Discharge Lamps--Control of Light.
______
Use 'Control F' to search this page. * NOTE: OUR content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date. This description copyright MOREMAGAZINES. 18 19 20 21 22 23 24 25 26 27 28 29 30 31
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