Rare The Complete Photographer Issue 14 and similar items
RARE The COMPLETE PHOTOGRAPHER Issue 14 Volume 3 1942
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View full item details »
Shipping options
Seller handling time is 1 business day Details
$4.00 to United States
Offer policy
OBO - Seller accepts offers on this item.
Details
Return policy
Refunds available: See booth/item description for details
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
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Item description
SEE BELOW for MORE MAGAZINES' Exclusive, detailed, guaranteed content description!*
Careful packaging, Fast shipping, and EVERYTHING is 100% GUARANTEED.
TITLE: THE COMPLETE PHOTOGRAPHER
Marvelous and RARE vintage Photography magazine -- Exclusive MORE MAGAZINES detailed content description, below! *
ISSUE DATE:
Issue 14 Volume 3 1942
CONDITION: Size approx 7" X 9". COMPLETE and in clean, VERY GOOD condition. (See photo)
IN THIS ISSUE:
[Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17
COVER PHOTOGRAPH by Rudolph Hoffmann.
THE VIEW FINDER by Willard D. Morgan.
COLOR PHOTOGRAPHY--KODACHROME (Continued from Issue No. 13): S. G. Hall: Demonstrator of Color Photography, Eastman Kodak Co. Light Sources--Flashbulb Lighting--Exposure--Importance of Exposure--Lenses for Koda-chrome Photography--Projection of Kodachrome Slides--Causes and Effects.
COLOR PHOTOGRAPHY--MAKING SEPARATION NEGATIVES: John McMaster: Graphic Arts Sales, Eastman Kodak Co. Equipment--Illumination--Gray Scale and Guide Lines--Filters--Pan chromatic Materials --Development--Color Correction.
COLOR ESTHETICS: Paul Outerbridge: Color Photographer; Color Editor of U. S. Camera; Author of Photographing in Color Necessary Requirements--Color and Black and White--Color and Colors--Hue, Value, and Chroma--Emotional Association of Colors--Mechanics of Pictorial and Color Com-position--Form and Color--What Colors to Use and Why--How Far Need Rules Be Observed--Out-of-Door and Indoor Pictures--Lighting for Color--Reflection Value of Colors--Lighting Equipment--Relative Versus Actual Values--In Conclusion.
PHOTOGRAVURE SECTION: Including composition analysis by Konrad Cramer.
COLOR MOVIES: Harris B. Tuttle, A.R.P.S.: Motion Picture Research Laboratory, Eastman Kodak Co. Types of Color Processes--Exposure--Color of Light--Advice on Color Movies--Projec-tion--Care ovies--Projection--Care of Film.
COLOR PHOTOGRAPHY--AERIAL: Walter Clark, Ph.D., F.R.P.S.: Kodak Research Laboratories. Applications--Processes of Color Photography--Photographs of Planes on the Ground--Holding the Camera--Exposure--Flight Technic--Effect of Haze--Filters--Choice of Subject.
COLOR PHOTOGRAPHY--PRACTICE OF KODACHROME: S. G. Hall: Demonstrator of Color Photography, Eastman Kodak Co. Exposure--Lighting Contrast--Subject Contrast--Light Sources--Landscapes in Kodachrome --Portraiture--Informal Outdoor Portraits--Architectural Exteriors--Flowers--Night Scenes --Interiors--Copies with Kodachrome Film.
PHOTOGRAVURE SECTION: Including composition analysis by Konrad Cramer.
COLOR PROCESSES--ADDITIVE: H. C. Colton: Instructor of Color Photography, Rochester Mechanics Institute Screen Plate Processes--Lumibre Filmcolor--Agfa Color Plates--D uf aycolor--Finlay Process.
COLOR PROCESS--AGFA COLOR:
J. L. Forrest: General Manager, Agfa Ansca Reversal Laboratories; Director of Color, Binghamton Research Laboratory Structure--Processing.
______
Use 'Control F' to search this page. * NOTE: OUR content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date. This description copyright MOREMAGAZINES. 18 19 20 21 22 23 24 25 26 27 28 29 30 31
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