Eugenio Venancio Original Nahuatl Amante and 50 similar items

EUGENIO VENANCIO (20th Century) "Village Life" ORIGINAL NAIVE MODERN ABSTRACT NAHUATL ACRYLIC ON AMATE PAPER Excellent Condition LARGE SIZE: 38" x 34" Original Wood Frame Email any questions you may have....thank you. EUGENIO VENANCIO - Eugenio Venancio is a 20th century Nahuatl artist who infuses modern elements into traditional art. His work has gained great notoriety with a number of his pieces now hanging in the prestigious "Museum of Naive Art of Magog" in Quebec, Canada. ------------------------------------------------------------------------------------------------------------ Amate although called paper is more like a non-woven fabric. The paper is created from the bark of the wild fig tree, the nettle tree and mulberry tree, each with a different tone of color, ranging from coffee browns to silvery whites. Men peel the bark from the trees and women make the paper. They wash the bark and boil it in a large pot with ashes or lime (calcium hydroxide) for several hours until softened. Next the crafters rinse the pulp and laid it on a wooden board to beat it with a stone until the fibers fuse into a paste. The paste is molded and left to dry in the sun. The Amate is painted by Nahuatl speaking folk artists in the region called the Mezcala, on the Rio Balsas Basin in Guerrero state. The natural beauty of the area has inspired one of the most valued folk art painting styles in the country. People from Ameyaltepec, a small village in the area, shared with their neighbors a tradition making Barro Pintado, painted clay. From the 1950's they traveled to tourist areas to sell their crafts. Some artists would rather travel and paint on the outlet cities. In 1962, art dealer Max Kerlow who had a gallery in Mexico City asked itinerant folk artist Pedro de Jesus from Ameyaltepec to paint some wooden figures in his store patio. Pedro did well and invited Cristino Flores Medina to go with him, in the gallery they met Felipe Ehrenberg an eclectic artist that suggested them to paint on Amate. By the 1970's Pedro de Jesus and Cristino Flores had gained national recognition. And so the Amate gave the Mezacala's folk painters the opportunity to develop their craft from utilitarian pieces to pure aesthetic paintings. Soon the Ameyaltepec artists began teaching other painters in surrounding villages like Oapan, Maxele and Xalitla. From the school developed in Ameyaltepec rose internationally known artist Nicolas de Jesus. At first the paintings in Amate resembled the pottery figures with colorful flowers, birds and other animals like deer and rabbits. Promptly the talented artists developed new styles that included village and religious scenes. Amate paintings are made in brown and white bark. For the Otomi people the white paper represents nature and everything that is good while the brown represents evil.