TITLE: The ARTIST'S Magazine
[Artist profiles/interviews include multiple photos and reproductions over multiple pages, PLUS: Illustrations, technical features, columns, vintage ads and MORE --Exclusive MORE MAGAZINES detailed content description, below!]
ISSUE DATE: OCTOBER 1998; VOLUME FIFTEEN, NUMBER TEN
CONDITION: Standard sized magazine, Approx 8oe" X 11". COMPLETE and in clean, VERY GOOD condition. (See photo)

IN THIS ISSUE:
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COVER: Morning Tea, by Gary Curtis. Inset cover art: Remembrance (detail, oil, 24x72), by Nikolo Balkanski.

COVER STORY: The Fine Art of Exaggeration Explore watercolorist Gary Curtis's subtle secrets for creating superrealistic reflections on silver. By Patrick Seslar.

Experience Impasto Use this simple technique to till your oils with luscious, expressive textures. By Kevin Macpherson.

Finding Mood in the Mist Discover how to create the look and feel of fog in watercolor and mixed media. By Tom Perkinson.

Creative Inspirations Five award-winning artists offer rare glimpses of the motivations behind their work. By Sandra Carpenter.

Pushing Your Creative Limits Transform risk into powerful, evocative art with Elaine Flarvey's pliable approach to mixed media. By Kelly Kane.

Composing With Water Learn to use realistic bodies of water to create stronger landscapes in oil. By Nikolo Balkanski with Jennifer King.

You've Got Rights Protect your art with this straightforward legal guide to copyrights. By Joshua J. Kaufrnan and Jeffrey M. Kleinman.

Getting a Feel for Portraits Master this easy-to-understand approach for capturing character in pastel. By Anatoly Dverin.

SPECIAL SECTION: The Art of Music Expand your career opportunities with this exciting, creative segment of the illustration field. By Greg Schaber.

Columns.
The Drawing Board How to build deeper drawings with simple shading.
Speaking of Art Realizing your unique personal vision.
Art Clinic Learn to translate shapes and values into emotional impact.
Business Explore live strategies for keeping your work in the public eye.
Brushing Up 'rap into the creative potential of stamping.
Technical Q&A Advice on using bitumen, reworking varnished oils, and niore.
Master Class Uncover the techniques George Inness ured to till Earl}' Auturtin, Montclair with living motion.


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